Past Other Events

This event is open to Princeton faculty, staff and students

Pre registration is required.  

Lunch will be provided for in-person attendance.

Face coverings are required when not actively eating or drinking

In-Person attendance - Click here to register

Zoom Registration -  Click here to register

As a way to close out the first semester of the Quechua workshop, we'd like to invite you to stream with us the movie Yawar Mallku. This 1969 movie is incredible for many reasons, the least of which is that it is filmed in the communities in the highlands and the main language of the movie is Quechua. The film also had important political and social ramifications in Bolivia. 

The film is in Quechua with Spanish subtitles.

The plan is to stream the movie together (it's only 70 minutes) and leave time for discussion.

Please email Felice Physioc (fphysioc@princeton.edu) if you have any questions.

https://princeton.zoom.us/j/93260978772

Open to the University community (students, faculty, staff).

Click here for Zoom registration link:

 https://princeton.zoom.us/meeting/register/tJ0pf-qvrTstE91BN5w7PETt_nH_r297qRxF

Click here for Zoom registration link:

https://princeton.zoom.us/meeting/register/

tJwpduiprzMpGNDgEe16HJrIaTHC-QLRkBOq

The Quechua workshop meets next on March 24 (4:30-6:30) to read and discuss Bruce Mannheim's,  The language of the Inka since the European invasion and Catalina Andrango-Walker's, El símbolo católico indiano (1598) de Luis Jerónimo de Oré : saberes coloniales y los problemas de la evangelización en la región andina. More information is available on our Canvas website; to be added to the site, please email eileenrobinson@princeton.edu. Upcoming events include a guest lecture by Andrango-Walker and a summer boot camp on historical documents in Quechua. 

Open to the University community (students, faculty, staff).

Virtual Information Session

Come learn about Princeton's first workshop dedicated to Quechua, a pre-Columbian language spoken by over eight million people along the Andean cordillera. Scheduled events include a semester-long book club, lectures, and outreach to Quechua-speaking communities in New Jersey.

Open to the University community (students, faculty, staff).

RSVP to erikav@princeton.edu to receive the Zoom link.

Please RSVP by Tuesday, October 22nd to eileenrobinson@princeton.edu

Homer’s classic epic poem of a journey home is reimagined in a participatory production of The Public Theater’s PublicWorks version of The Odyssey, directed by Victoria Davidjohn, designed by Annabel Barry, and featuring Carly Maitlin, Bria McKenzie, and Justin Ramos.

The Princeton Classics Club announces the second annual Princeton Certamen — a quiz-bowl with questions based on Roman history, culture, mythology, literature, and language. Hosting high school and middle school students from all over the country, the Club hopes to inspire passion for the Classics and the Junior Classical League (JCL) with a competitive yet friendly contest.

The Classics Club is hosting a movie night. Please RSVP to Tashi Treadway.

Classics major Erica Choi is speaking at Princeton Research Day, a celebration of the research and creative endeavors of undergraduates, graduate students, postdoctoral researchers, and other non-faculty researchers. The event is free and open to the public.

“Hecuba” is a lush and experimental rock-leaning album based on Euripides’ tragedy of the same name. Written around 424 BCE in Athens, Hecuba is a savage story of revenge in which the disgraced queen of Troy, Hecuba, with her city razed and her children murdered, descends from nobility to primal violence. A week before the national release on May 13, Oracle Hysterical will debut the album at Taplin Auditorium in Princeton, with a post-performance discussion featuring Brooke Holmes and Josh Billings.

Part band, part book club, Oracle Hysterical combines eclectic musical influences with literary breadth. All members of the group perform and compose, with each project developed collectively.

Drawing on his degree in the classics and years of writing and performing, Joe has created an award-winning 30 minute long composition which deconstructs the story of The Odyssey in song, invoking the spirit of the ancient Greek bards who originally brought forth the timeless stories of Odysseus and the heroes of the Trojan War, while making the poem and the circumstances of its creation accessible to modern audiences.

This workshop will put classical reception studies in dialogue with recent work on queer temporality, exploring how queer notions of time and history that contest or complicate forms of historicism may enrich work on ancient sexualities and their receptions.